10-Year-Old Shot Three Times, but She’s Fine

Dumbfounded in hospital whites, you are picture-book
itty-bit, floundering in bleach and steel. Braids untwirl
and corkscrew, you squirm, the crater in your shoulder
spews a soft voltage. On a TV screwed into the wall
above your head, neon rollicks. A wide-eyed train
engine perfectly smokes, warbles a song about forward.

Who shot you, baby?
I don’t know. I was playing.
You didn’t see anyone?
I was playing with my friend Sharon.
I was on the swing
and she was—
Are you sure you didn’t—
No, I ain’t seen nobody but Sharon. I heard
people yelling though, and—

Each bullet repainted you against the brick, kicked
you a little sideways, made you need air differently.
You leaked something that still goldens the boulevard.
I ain’t seen nobody, I told you.
And at A. Lincoln Elementary on Washington Street,
or Jefferson Elementary on Madison Street, or Adams
Elementary just off the Eisenhower Expressway,
we gather the ingredients, if not the desire, for pathos:

an imploded homeroom, your empty seat pulsating
with drooped celebrity, the sometime counselor
underpaid and elsewhere, a harried teacher struggling
toward your full name. Anyway your grades weren’t
all that good. No need to coo or encircle anything,
no call for anyone to pull their official white fingers
through your raveled hair, no reason to introduce
the wild notion of loving you loud and regardless.

Oh, and they’ve finally located your mama, who
will soon burst in with her cut-rate cure of stammering
Jesus’ name. Beneath the bandages, your chest crawls
shut. Perky ol’ Thomas winks a bold-faced lie from
his clacking track, and your heart monitor hums
a wry tune no one will admit they’ve already heard.

Elsewhere, 23 seconds rumble again and again through
Sharon’s body. Boom, boom, she says to no one.

---Patricia Smith 

Ode to the flute

A man sings
by opening his
mouth a man
sings by opening
his lungs by
turning himself into air
a flute can
be made of a man
nothing is explained
a flute lays
on its side
and prays a wind
might enter it
and make of it
at least
a small final song

---Ross Gay

Strange Fruits

Southern trees bear a strange fruit
Blood on the leaves and blood at the root
Black bodies swingin' in the Southern breeze
Strange fruit hangin' from the poplar trees

Pastoral scene of the gallant South
The bulgin' eyes and the twisted mouth
Scent of magnolias sweet and fresh
Then the sudden smell of burnin' flesh

Here is a fruit for the crows to pluck
For the rain to gather, for the wind to suck
For the sun to rot, for the tree to drop
Here is a strange and bitter crop

--- Abel Meeropol

My Mother’s Fault

You marched with other seven-year-old girls,
Singing songs of freedom at dawn in rural Gujarat,
Believing that would shame the British and they would leave India. 

Five years later, they did. You smiled, 

When you first saw Maqbool Fida Husain’s nude sketches of Hindu goddesses, 

And laughed, 

When I told you that some people wanted to burn his art. 

‘Have those people seen any of our ancient sculptures? Those are far naughtier,’ You said.

Your voice broke, On December 6, 1992, 

As you called me at my office in Singapore, 

When they destroyed the Babri Masjid. 

‘We have just killed Gandhi again,’ you said. 

We had. Aavu te karaay koi divas (Can anyone do such a thing any time?) 

You asked, aghast, Staring at the television, 

As Hindu mobs went, house-to-house, 

Looking for Muslims to kill, 

After a train compartment in Godhra burned, 

Killing 58 Hindus in February 2002. 

You were right, each time. 

After reading what I’ve been writing over the years, 

Some folks have complained that I just don’t get it. 

I live abroad: what do I know of India? 

But I knew you; that was enough. 

And that’s why I turned out this way. 

--- Salil Tripathi

The Hill We Climb

When day comes we ask ourselves,
where can we find light in this never-ending shade?
The loss we carry,
a sea we must wade

We’ve braved the belly of the beast
We’ve learned that quiet isn’t always peace
And the norms and notions
of what just is

Isn’t always just-ice
And yet the dawn is ours
before we knew it
Somehow we do it

Somehow we’ve weathered and witnessed
a nation that isn’t broken
but simply unfinished
We the successors of a country and a time

Where a skinny Black girl
descended from slaves and raised by a single mother
can dream of becoming president
only to find herself reciting for one

And yes we are far from polished
far from pristine
but that doesn’t mean we are
striving to form a union that is perfect

We are striving to forge a union with purpose
To compose a country committed to all cultures, colors, characters and
conditions of man
And so we lift our gazes not to what stands between us

but what stands before us

We close the divide because we know, to put our future first,
we must first put our differences aside
We lay down our arms
so we can reach out our arms
to one another

We seek harm to none and harmony for all
Let the globe, if nothing else, say this is true:
That even as we grieved, we grew
That even as we hurt, we hoped
That even as we tired, we tried
That we’ll forever be tied together, victorious
Not because we will never again know defeat
but because we will never again sow division
Scripture tells us to envision
that everyone shall sit under their own vine and fig tree
And no one shall make them afraid
If we’re to live up to our own time
Then victory won’t lie in the blade
But in all the bridges we’ve made
That is the promise to glade
The hill we climb
If only we dare
It’s because being American is more than a pride we inherit,
it’s the past we step into
and how we repair it
We’ve seen a force that would shatter our nation
rather than share it
Would destroy our country if it meant delaying democracy
And this effort very nearly succeeded
But while democracy can be periodically delayed
it can never be permanently defeated
In this truth
in this faith we trust
For while we have our eyes on the future
history has its eyes on us
This is the era of just redemption
We feared at its inception
We did not feel prepared to be the heirs
of such a terrifying hour
but within it we found the power
to author a new chapter
To offer hope and laughter to ourselves
So while once we asked,
how could we possibly prevail over catastrophe?
Now we assert
How could catastrophe possibly prevail over us?
We will not march back to what was
but move to what shall be
A country that is bruised but whole,
benevolent but bold,
fierce and free
We will not be turned around
or interrupted by intimidation
because we know our inaction and inertia
will be the inheritance of the next generation
Our blunders become their burdens
But one thing is certain:
If we merge mercy with might,
and might with right,
then love becomes our legacy
and change our children’s birthright
So let us leave behind a country
better than the one we were left with
Every breath from my bronze-pounded chest,
we will raise this wounded world into a wondrous one
We will rise from the gold-limbed hills of the west,
we will rise from the windswept northeast
where our forefathers first realized revolution
We will rise from the lake-rimmed cities of the midwestern states,
we will rise from the sunbaked south
We will rebuild, reconcile and recover
and every known nook of our nation and
every corner called our country,
our people diverse and beautiful will emerge,
battered and beautiful
When day comes we step out of the shade,
aflame and unafraid
The new dawn blooms as we free it
For there is always light,
if only we’re brave enough to see it
If only we’re brave enough to be it

---Amanda Gorman

Bitter Cold

There is bitter cold 

At the borders of the city Of indifference. 

Wizened women and men 

And children below their teens 

Lie the frozen nights 

On bare tarmac, 

Surviving by the fire in their hearts, 

And the justice of their cause. 

A glow of truth from their being 

Warms the air and shames the 

Winter of crude impertinence, 

Even as their human bodies may 

Succumb to the December hell.

 Carrying the nursing warmth 

Of the soil in their bones, 

India’s farmers outface the urban 

Cold and show how the real freeze 

Lies in the swollen skull of authority 

Whose hollow cruelty may be stern 

Without human content, but whose 

Pride of office screams for pity. 

 This is truly a new beauty born 

That gathers histories 

Of courage and faith

 In the sounding of the people’s horn 

That may never be stilled 

Either by Nature’s extremes 

Or the flimsy robes worn By Pharaohs of the day. 

Yet again, the ploughshare shows the way. 

 ---Badri Raina

In Flanders Fields

In Flanders fields the poppies blow
Between the crosses, row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.

We are the dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved, and were loved, and now we lie
In Flanders fields.

Take up our quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.

---John McCrae

In Praise of Coldness

"If you wish to move your reader,"
Chekhov said, "you must write more coldly."

Herakleitos recommended, "A dry soul is best."

And so at the center of many great works
is found a preserving dispassion,
like the vanishing point of quattrocentro perspective,
or tiny packets of desiccant enclosed
in a box of new shoes or seeds.

But still the vanishing point
is not the painting,
the silica is not the blossoming plant.

Chekhov, dying, read the timetables of trains.
To what more earthly thing could he have been faithful?—
Scent of rocking distances,
smoke of blue trees out the window,
hampers of bread, pickled cabbage, boiled meat.

Scent of a knowable journey.

Neither a person entirely broken
nor one entirely whole can speak.

In sorrow, pretend to be fearless. In happiness, tremble.

--- Jane Hirschfield

No Road Back Home

In this forgotten place I have no lover’s touch
Each night brings darker dreams, I have no amulet
My life is all I ask, I have no other thirst
These silent thoughts torment, I have no way to hope

Who I once was, what I’ve become, I cannot know
Who could I tell my heart’s desires, I cannot say
My love, the temper of the fates I cannot guess
I long to go to you, I have no strength to move

Through cracks and crevices I’ve watched the seasons change
For news of you I’ve looked in vain to buds and flowers
To the marrow of my bones I’ve ached to be with you
What road led here, why do I have no road back home

---Abduqadir Jalalidin (a detained Uighur poet, bears witness to the suffering of Uighurs detained in Chinese so-called “reeducation” camps) 

Onion

The smoothness of onions infuriates him
so like the skin of women or their expensive clothes
and the striptease of onions, which is also a disappearing act.
He says he is searching for the ultimate nakedness
but when he finds that thin green seed
that negligible sprout of a heart
we could have told him he'd be disappointed.
Meanwhile the onion has been hacked to bits
and he's weeping in the kitchen most unromantic tears.

--- Katha Pollitt

Let them not say

Let them not say: we did not see it.
We saw.

Let them not say: we did not hear it.
We heard.

Let them not say: they did not taste it.
We ate, we trembled.

Let them not say: it was not spoken, not written.

We spoke,
we witnessed with voices and hands.
Let them not say: they did nothing.
We did not-enough.

Let them say, as they must say something:

A kerosene beauty.
It burned.

Let them say we warmed ourselves by it,
read by its light, praised,
and it burned.

---Jane Hirshfield

Where Are the War Poets?

They who in folly or mere greed
Enslaved religion, markets, laws,
Borrow our language now and bid
Us to speak up in freedom’s cause.

It is the logic of our times,
No subject for immortal verse—
That we who lived by honest dreams
Defend the bad against the worse.

--- Cecil Day-Lewis

Kids Who Die

This is for the kids who die,

Black and white,

For kids will die certainly.

The old and rich will live on awhile,

As always,

Eating blood and gold,

Letting kids die.

Kids will die in the swamps of Mississippi

Organizing sharecroppers

Kids will die in the streets of Chicago

Organizing workers

Kids will die in the orange groves of California

Telling others to get together

Whites and Filipinos,

Negroes and Mexicans,

All kinds of kids will die

Who don’t believe in lies, and bribes, and contentment

And a lousy peace.

Of course, the wise and the learned

Who pen editorials in the papers,

And the gentlemen with Dr. in front of their names

White and black,

Who make surveys and write books

Will live on weaving words to smother the kids who die,

And the sleazy courts,

And the bribe-reaching police,

And the blood-loving generals,

And the money-loving preachers

Will all raise their hands against the kids who die,

Beating them with laws and clubs and bayonets and bullets

To frighten the people—

For the kids who die are like iron in the blood of the people—

And the old and rich don’t want the people

To taste the iron of the kids who die,

Don’t want the people to get wise to their own power,

To believe an Angelo Herndon, or even get together

Listen, kids who die—

Maybe, now, there will be no monument for you

Except in our hearts

Maybe your bodies’ll be lost in a swamp

Or a prison grave, or the potter’s field,

Or the rivers where you’re drowned like Leibknecht

But the day will come—

Your are sure yourselves that it is coming—

When the marching feet of the masses

Will raise for you a living monument of love,

And joy, and laughter,

And black hands and white hands clasped as one,

And a song that reaches the sky—

The song of the life triumphant

Through the kids who die.

- Langston Hughes

Start Close In

Start close in, 

don’t take the second step or the third, 

start with the first thing close in, 

the step you don’t want to take. 

Start with the ground you know, 

the pale ground beneath your feet, 

your own way to begin the conversation. 

Start with your own question, 

give up on other people’s questions, 

don’t let them smother something simple. 

To hear another’s voice, 

follow your own voice, 

wait until that voice 

 becomes an intimate private ear 

that can really listen to another. 

Start right now take a small step

you can call your own 

don’t follow someone else’s heroics, 

be humble and focused, start close in, 

don’t mistake that other for your own. 

 Start close in, 

don’t take the second step or the third, 

start with the first thing close in,

 the step you don’t want to take. 

 --- David Whyte A poem from River Flow: New & Selected Poems Many Rivers Press

The Moment

The moment when, after many years
of hard work and a long voyage
you stand in the centre of your room,
house, half-acre, square mile, island country,
knowing at last how you got there,
and say, I own this,

Is the same moment when the trees unloose
their soft arms from around you,
the birds take back their language,
the cliffs fissure and collapse,
the air moves back from you like a wave
and you can't breathe.

No, they whisper. You own nothing.
You were a visitor, time after time
climbing the hill, planting the flag, proclaiming.
We never belonged to you.
You never found us.
It was always the other way round.

~ Margaret Atwood

As I Grew Older

It was a long time ago.
I have almost forgotten my dream.
But it was there then,
In front of me,
Bright like a sun—
My dream.
And then the wall rose,
Rose slowly,
Slowly,
Between me and my dream.
Rose until it touched the sky—
The wall.
Shadow.
I am black.
I lie down in the shadow.
No longer the light of my dream before me,
Above me.
Only the thick wall.
Only the shadow.
My hands!
My dark hands!
Break through the wall!
Find my dream!
Help me to shatter this darkness,
To smash this night,
To break this shadow
Into a thousand lights of sun,
Into a thousand whirling dreams
Of sun!

---Langston Hughes

Hawk Roosting

I sit in the top of the wood, my eyes closed.
Inaction, no falsifying dream
Between my hooked head and hooked feet:
Or in sleep rehearse perfect kills and eat.

The convenience of the high trees!
The air's buoyancy and the sun's ray
Are of advantage to me;
And the earth's face upward for my inspection.

My feet are locked upon the rough bark.
It took the whole of Creation
To produce my foot, my each feather:
Now I hold Creation in my foot

Or fly up, and revolve it all slowly -
I kill where I please because it is all mine.
There is no sophistry in my body:
My manners are tearing off heads -

The allotment of death.
For the one path of my flight is direct
Through the bones of the living.
No arguments assert my right:

The sun is behind me.
Nothing has changed since I began.
My eye has permitted no change.
I am going to keep things like this.

---Ted Hughes

Forgetfulness

The name of the author is the first to go
followed obediently by the title, the plot,
the heartbreaking conclusion, the entire novel
which suddenly becomes one you have never read, never even heard of,

as if, one by one, the memories you used to harbour
decided to retire to the southern hemisphere of the brain,
to a little fishing village where there are no phones.

Long ago you kissed the names of the nine muses goodbye
and watched the quadratic equation pack its bag,
and even now as you memorise the order of the planets,

something else is slipping away, a state flower perhaps,
the address of an uncle, the capital of Paraguay.

Whatever it is you are struggling to remember,
it is not poised on the tip of your tongue
or even lurking in some obscure corner of your spleen.

It has floated away down a dark mythological river
whose name begins with an L as far as you can recall

well on your own way to oblivion where you will join those
who have even forgotten how to swim and how to ride a bicycle.

No wonder you rise in the middle of the night
to look up the date of a famous battle in a book on war.
No wonder the moon in the window seems to have drifted
out of a love poem that you used to know by heart.

---Billy Collins

This Be The Verse

They fuck you up, your mum and dad.
They may not mean to, but they do.
They fill you with the faults they had
And add some extra, just for you.

But they were fucked up in their turn
By fools in old-style hats and coats,
Who half the time were soppy-stern
And half at one another’s throats.

Man hands on misery to man.
It deepens like a coastal shelf.
Get out as early as you can,
And don’t have any kids yourself.

---Philip Larkin

The stench of sanity

There is something rotten - inside of
You, in your flesh, the stench of
Sanity. It breathes in your
Eyes, this thing…

Something decadent, in your
Flesh, decaying…

It will be too late – you will
Die of it!

This thing that sleeps with you
Night after night, like
An aging wanton woman,
Spent, but not quite spent –

And she waits for you to
Dump her, in some dark street
Corner… yet follows you,
Drunken whore!

There’s no getting away for you
You will die of it, this thing
That breathes…

Inside of you, in your flesh
The stench of sanity

 ---Deepti Naval